Jacqueline Harpman
Author
Formats
Description
"Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl--the fortieth prisoner--sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange...
2) Orlanda
Author
Formats
Description
"One afternoon in a café across the Gare du Nord train station in Paris, Aline Berger, a literature professor, struggles to re-read Virginia Woolf's Orlando, when an odd feeling comes over her. Suddenly, part of her consciousness splits off and finds itself in the body of an attractive young man named Lucien Lèfrene, who works as a rock journalist. In this newfound body, Aline's splintered mind names themselves Orlanda in homage to Virginia Woolf...
Author
Formats
Description
Quarenta mulheres estão presas em uma jaula coletiva em um porão, sob a vigilância de guardas que permanecem sempre em silêncio. Um dia, misteriosamente, uma sirene soa, os guardas fogem e as grades se abrem. Entre as prisioneiras, está uma menina sem nome que só conhece a vida lá fora através de lembranças que as outras mulheres aceitam compartilhar. É ela que conduz as demais prisioneiras em fuga, apenas para encontrarem um lugar inóspito...
Author
Description
Chez Jacqueline Harpman, les parcours de la romancière et de la psychanalyste procèdent d'une pensée cohérente : l'expérience clinique n'a pas contaminé son œuvre littéraire ; elle l'a nourrie, tout comme sa propre histoire et son propre inconscient.
Qui mieux qu'elle même pourrait nous aider à démêler l'écheveau de sa pensée ? C'est ce qu'elle nous propose ici à travers quelques textes qui ont jalonné sa réflexion : la plupart...
Author
Publication Date
2026
Description
Der internationale Sensationserfolg
Tief unter der Erde werden neununddreißig Frauen gefangen gehalten. Während das elektrische Licht Tag und Nacht verschwimmen lässt, sitzt ein junges Mädchen – die vierzigste Gefangene – allein und ausgestoßen in der Ecke. »Ich, die ich Männer nicht kannte« ist so feministisch wie »Der Report der Magd« und so existentiell wie »Die Wand«: Ein moderner Klassiker, internationaler Verkaufserfolg und BookTok-Hit...
