Ethan Mordden
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Greek-American opera singer Adriana Grafanas is the most famous opera singer of her time and her scandals, temperament, and cancellations were the stuff of international headlines. Now, in her early 60s, her voice is in shreds and she is near retirement. Sent to Venice to "pull together" her autobiography, American Mark Trigger is drawn into the compelling world of Adriana and of Venice itself. Trying to uncover the truth about Adriana's life, Mark...
2) Buddies
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Buddies cycle volume 2
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"What unites us, all of us, surely is brotherhood, a sense that our friendships are historic, designed to hold Stonewall together," muses on character in Ethan Mordden's Buddies. This need for friendship, for nonerotic affection, for buddies, shines forth as an American obsession from Moby-Dick through Of Mice and Men to The Sting. And, American gay life has built upon and cherished these relationships, even as it has dared-perhaps its most startling...
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Ethan Mordden's new entry in his history of the Broadway musical looks at an era that brought us not only the gritty reality of "A Chorus Line" and the brilliantly bittersweet works of Stephen Sondheim, but also the nostalgic crowd-pleasers "No, No, Nanette" and "Annie." It was a time when Broadway both looked to its past, but also to its future and allowed reality to enter. Mordden writes of the last time we ever saw true greatness on the stage of...
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From the 1920s to the early 1960s, Manhattan was America's beacon of sophistication. From the theatres of Broadway to the lobby of the Algonquin Hotel to tables at the Stork Club, intelligence and wit were the twinned coins of the realm. Alexander Woolcott, Irving Berlin, Edna Ferber, Arturo Toscanini, Leonard Bernstein, Cole Porter, Dorothy Parker, Truman Capote, the Lunts and Helen Hayes presided over the town. Their books, plays, performances,...
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For Ethan Mordden, the closing night of the hit musical, 42nd St. sounded the death knell of the art form of the Broadway musical. After that, big orchestras, real voices, recognizable books and intelligent lyrics went out the window in favor of cats, helicopters, yodeling Frenchmen, and the roof of the Paris Opera. Mordden takes us through the aftermath of the days of the great Broadway musical. From the long-running Cats to Miss Saigon, Phantom,...
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Buddies cycle volume 5
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After a hiatus of eight years, Ethan Mordden returns to the fictional universe for which he is most beloved in this latest, possibly last, volume in his much lauded "Buddies" cycle. Following the exploits of his best-loved characters, Dennis Savage, J. (who was once Little Kiwi), Carlo, the slowly maturing 'elf-child' Cosgrove, and narrator Bud - as he lays bare the changed emotional landscape of the city within a city that is Gay Manhattan. Blending...
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Buddies cycle volume 4
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Some Men Are Lookers, Ethan Mordden's much lauded fourth volume in his "Buddies" cycle, follows the exploits of his best-loved characters-Dennis Savage, Little Kiwi, Carlo, the 'elf-child' Cosgrove, and narrator Bud. Mordden lays bare the emotional landscape of the city within a city that is Gay Manhattan. Blending the comic, the sexy, and the at once idealistic and realistic, these stories represent Ethan Mordden at his very best.
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In the 1960s, the Broadway musical was revolutionized from an entertainment characterized by sentimental standards, such as Camelot and Hello, Dolly!, to one of brilliant and bittersweet masterpieces, such as Cabaret and Fiddler on the Roof. In Open a New Window, Ethan Mordden continues his history of the Broadway musical with the decade that bridged the gap between the romantic, fanciful entertainments of the fifties, such as Call Me, Madam, to the...
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Buddies cycle volume 3
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A gay ghost, a talking dog, and a street kid who thinks he's an elf-child join our narrator Bud, best friend Dennis Savage, eternally young Little Kiwi, devastating hunk Carlo, and the other characters from I've a Feeling We're Not in Kansas Anymore and Buddies in this final volume in Mordden's trilogy on gay life in the big city.
And there's trouble in paradise: Dennis Savage is suffering midlife crisis; his lover little Kiwi who uses sex as a weapon,...
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Buddies cycle volume 1
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"We have traded tales, my buddies and I; of affairs, encounters, secrets, fears, self-promotion-of fantasies that we make real in the telling."
In this, the first volume in Ethan Mordden's acclaimed trilogy on Manhattan gay life, he introduces a small group of friends-Dennis Savage, Little Kiwi, Carlos, and the narrator, Bud-and chronicles their exploration of the new world of gay life and the new people they are in the process of becoming.
In a...
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From the late 1920s to late 1950s, the Broadway theatre was America's cultural epicenter. Television didn't exist and movies were novelties. Entertainment took the form of literature, music, and theatre. During this golden age of Broadway, actors and actresses became legends and starred in now classic plays. Laurence Olivier, Alfred Lunt and Lynne Fontaine were names to remember, etching plays into memory as they brought the words of Tennessee Williams...
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She said, "I became a singer because I couldn't get work as an actress," but Barbra Streisand not only became both but revolutionized the two professions. Her music transformed the smooth, uninflected style of the Frank Sinatras and Ella Fitzgeralds into an engine of dramatic vocalism in which each song is like a miniature three-act play. And Streisand's films changed forever the ideal of how a movie star chooses roles, going from musicals to dramas...
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Hollywood in the years between 1929 and 1948 was a town of moviemaking empires. The great studios were estates of talent: sprawling, dense, diverse. It was the Golden Age of the Movies, and each studio made its distinctive contribution. But how did the studios, “growing up” in the same time and place, develop so differently? What combinations of talents and temperaments gave them their signature styles? These are the questions Ethan Mordden answers,...
15) Gays on Broadway
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"This is a chronological review of both the plays and the people that brought the world of homosexuals, bisexuals, transexuals, metrosexuals, and the sexually fluid to the American stage. The plays--which take in a few foreign imports--treat strong gay content (e. g., The Boys in the Band or The Killing of sister George), or minor gay content (Season In the Sun, The Nervous Set), or even a phrase in passing (as in New Faces of 1956's joke about Rome's...
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When Florenz Ziegfeld started in theater, it was flea circus, operetta and sideshow all rolled into one. When he left it, the glamorous world of "show-biz" had been created. Though many know him as the man who "glorified the American girl," his first real star attraction was the bodybuilder Eugen Sandow, who flexed his muscles and thrilled the society matrons who came backstage to squeeze his biceps. His lesson learned with Sandow, Ziegfeld went on...
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For the first time, Ethan Mordden chronicles the romance of Kurt Weill and Lotte Lenya in "Love Song", a dual biography that unfolds against the background of the tumultous twentieth century, scored to music from Weil's greatest triumphs: "Knickerbocker Holiday", "Lost in the Stars", "Lady in the Dark", "Happy End", "One Touch of Venus" and "The Rise and Fall of the City of Mahagonny". The romance of Weill, the Jewish cantor's son, and Lenya, the...
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How Long Has This Been Going On? Brings together a rich and varied cast of characters to tell the tale of modern gay America in this remarkable epic novel. Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.
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In the 1930s, Broadway's lights still burned brightly. Ethan Mordden completes his history of the Broadway musical by taking a look at this forgotten era. Shows like Anything Goes brought the glitter of Cole Porter and Merman's brass to the public. Innovations in dance were pioneered by Balanchine and others. Scenic advancements made Astaire's The Band Wagon move across the stage in novel ways. Gershwin's revolutionary Porgy and Bess entered the canon...
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In 1975, the Broadway musical Chicago brought together a host of memes and myths-the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon, and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too...




