Originality and transnational modernism in the Taishō era: Yoshihara's formative years
Gutai strategies of originality
Originality, individualism, and subjective autonomy
The interpoetics of distance
Translation: decentering Jackson Pollock
Recontextualization: Nengajō and Gutai mail art
Quantization: Gutai portables
Lines of flight: the Gutai journal
Yoshihara's postwar internationalism and the Gutai journal
The politics of geography and Gutai exhibitions
Tokyo/Ashiya/Osaka, 1955-1958
International contemporaneity and Gutai exhibitions
New directions in Gutai exhibitions
15th Gutai art exhibition, 1965
Gutai art for the space age, 1967
Conclusion: Gutai's decentering legacies.
