Spectacle, farce, melodrama, and minstrelsy fifty years ago
The worth and impotence of free criticism
Some early experiences and mistakes
Selwyn's theatre and the Robertson period
The ephemeral drama and the enduring drama
The great dramatic quinquennium and the Boston Museum
Actual and ideal training for the stage
J.L. Toole and Charles James Mathews
Memorable experiences of single plays and artists
An American theatre privately endowed