Raphael, Dürer, and Marcantonio Raimondi: copying and the Italian Renaissance print

Introduction: Practical collaboration and possessive authorship.

Framing Marcantonio Raimondi's prints: A traffic in images ; A Renaissance culture of copying ; "Reproductive engraving": a modern category ; Translation as a trope.

Aldus Manutius's Venice: Marcantonio and Dürer in Aldine Venice ; From poison gas to print ; What is a publisher? ; Marcantonio's Venetian publisher ; Printing piety.

Raphael's signature: Signing for Raphael ; A "Venetian" in Rome ; Printed signatures ; From whose hand? ; Framing the Parnassus.

Raphael's graphic intelligence: Dürer signs ; Raphael drawing ; Blind stylus, burin, and press ; Copy, copia, cut-and-paste ; The massacre of the innocents.

Vasari's Marcantonio: "To counterfeit" ; On northerners and northern voices ; Painters and printmakers ; Conclusion.

Appendix: Documents relating to Niccoló and Domenico dal Jesus.