On Arthur Miller / Brenda Murphy
Biography of Arthur Miller / Carl Rollyson and Victoria Price
The Paris Review perspective / Richard Beck for The Paris Review
Best intentions far awry: the family dynamic in Miller's All my sons and Death of a salesman / Pamela Loos
"It's all about the language": Arthur Miller's poetic dialogue / Stephen A. Marino
The freedom of others: Arthur Miller's social and political context / Katherine Egerton
The critical reception of Arthur Miller's work / Jane K. Dominik
Arthur Miller and the art of the possible / Steven R. Centola
Arthur Miller: un-American / Christopher Bigsby
All my sons and paternal authority / James A. Robinson
"There's no place like home": Miller's "poem," Frost's "play" / George Monteiro
Asking "queer questions," revealing ugly truths: Giles Corey's subversive eccentricity in The crucible / J. Chris Westgate
Verse, figurative language, and myth in A view from the bridge / Stephen A. Marino
Uneasy collaboration: Miller, Kazan, and After the fall / Brenda Murphy
All about talk: Arthur Miller's The price / Gerald Weales
Both his sons: Arthur Miller's The price and Jewish assimilation / James A. Robinson
The "line to measure from": Arthur Miller's The American clock as a lesson for the ages / Susan C. W. Abbotson
Coming to roost again: tragic rhythm in Arthur Miller's Broken glass / Terry Otten
Arthur Miller's ironic resurrection / Jeffrey D. Mason
The fiction of Arthur Miller / Laurence Goldstein.
