Autobiographical inscriptions: form, personhood, and the American woman writer of color

Introduction. Reading autobiography: strategies and structures.

"Everybody's Zora:: visions, setting, and voice in Dust tracks on a road.

Commodities that speak: form and transformation in Mary Rowlandson's captivity narrative and Harriet Jacob's Incidents in the life of a slave girl.

In one voice: autobiographical acts in Maxine Hong Kingston's The women warrior nad Hisaye Yamamoto's "The legend of Miss Sasagawara."

People made of words: identity and identification in Leslie Marmon Silko's Storyteller and Adrienne Kennedy's People who led my plays.

Conclusion. Making face, making race: prosopopoeia, autobiography, and identity construction in Cecile Pineda's Face.