Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert

Markedness, topics, and tropes. Semiotic grounding in markedness and style : interpreting a style type in the opening of Beethoven's Ghost Trio, Op. 70, no. 1

Expressive doubling, topics, tropes, and shifts in level of discourse : interpreting the third movement of Beethoven's String Quartet in B major, Op. 130

From topic to premise and mode : the pastoral in Schubert's Piano Sonata in G Major, D 894

The troping of topics, genres, and forms : Bach, Mozart, Beethoven, Schubert, Schumann, Brahms, Bruckner, Mahler

Musical gesture. Foundational principles of human gesture

Toward a theory of musical gesture

Stylistic types and strategic functions of gestures

Thematic gesture in Schubert : the Piano Sonatas in A Major, D. 959, and A Minor, D 784

Thematic gesture in Beethoven : the Sonata for Piano and Cello in C Major, Op. 102, no. 1

Gestural troping and agency

Continuity and discontinuity. From gestural continuity to continuity as premise

Discontinuity and beyond.